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Catherine of Alexandria
Catherine of Alexandria
Born in : Alexandrie / Dead in : Alexandrie, 310
Saint Catherine of Alexandria, also known as Saint Catherine of the Wheel and The Great Martyr Saint Catherine is a Christian saint and martyr who is claimed to have been a noted scholar in the early 4th century. 1,100 years later, Joan of Arc said that Catherine appeared to her many times.

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Biography   
The Orthodox Church venerates her as a "great martyr", and in the Catholic Church she is traditionally revered as one of the Fourteen Holy Helpers.

Catherine was the daughter of Costus, a pagan governor of Alexandria. She announced to her parents that she would only marry someone who surpassed her in beauty, intelligence, wealth, and social status. This was an early foreshadowing of her eventual discovery of Christ. "His beauty was more radiant than the shining of the sun, His wisdom governed all creation, His riches were spread throughout all the world."

Life and legend
Catherine was born in Alexandria and raised a pagan, but converted to Christianity in her late teens. It is said that she visited her contemporary, the Roman Emperor Maxentius, and attempted to convince him of the moral error in persecuting Christians. She succeeded in converting his wife, the Empress, and many pagan philosophers whom the Emperor sent to dispute with her, all of whom were subsequently martyred. Upon the failure of the Emperor to win Catherine over, he ordered her to be put in prison; and when the people who visited her converted, she was condemned to death on the breaking wheel, an instrument of torture. According to legend, the wheel itself broke when she touched it, so she was beheaded.

According to Christian tradition, angels carried her body to Mount Sinai, where, in the 6th century, the Eastern Emperor Justinian established Saint Catherine's Monastery, Mount Sinai, the church being built between 548 and 565 in Saint Catherine, Egypt, on the Sinai peninsula. Saint Catherine's Monastery survives, a famous repository of early Christian art, architecture and illuminated manuscripts that is still open to visiting scholars.

Her principal symbol is the spiked wheel, which has become known as the Catherine wheel, and her feast day is celebrated on 25 November by most Christian churches. However, the Russian Orthodox Church celebrates it on 24 November, because Empress Catherine the Great did not wish to share her patronal feast with the Leavetaking of the feast of the Presentation of the Theotokos. Because she was Catherine the Great's patron, the Catholic Church of St. Catherine, one of the first Roman Catholic churches built in Russia, was named after Catherine of Alexandria.

Medieval cult
St. Catherine was one of the most influential saints in the religious culture of the late middle ages, and arguably considered the most important of the virgin-martyrs. Her power as an intercessor was renowned, and firmly established in most versions of her legend, in which she specifically entreats God at the moment of her death to answer the prayers of those who invoke her name. The development of her medieval cult was spurred by the reported rediscovery of her body around the year 800 at Mount Sinai, with hair still growing and a constant stream of healing oil emitting from her body. There are a handful of pilgrimage narratives that chronicle the journey to Mount Sinai, most notably those of John Mandeville and Friar Felix Fabri. However, the monastery at Mount Sinai was the best-known site of Catherine pilgrimage, but was also the most difficult to reach. The most prominent western shrine was the monastery in Rouen that claimed to house Catherine's fingers. It was not alone in the west, however, accompanied by many, scattered shrines and altars dedicated to Catherine, which existed throughout France and England. Some were better known sites, such as Canterbury and Westminster, which claimed a phial of her oil, brought back from Mount Sinai by Edward the Confessor. Other shrines were the focus of generally local pilgrimage, many of which are only identified by brief mentions to them in various texts, rather than by physical evidence.

Saint Catherine also had a large female following, whose devotion was less likely to be expressed through pilgrimage. The importance of the virgin martyrs as the focus of devotion and models for proper feminine behavior increased during the late middle ages. Among these, St. Catherine in particular was used as an exemplar for women, a status which at times superseded her intercessory role. Both Christine de Pizan and Geoffrey de la Tour Landry point to Catherine as a paragon for young women, emphasizing her model of virginity and "wifely chastity." From the early 14th century the Mystic marriage of Saint Catherine first appears in hagiographical literature and, soon after, in art.

History and veneration
Historians such as Harold Thayler Davis believe that Catherine ('the pure one') may not have existed and that she was more an ideal exemplary figure than a historical one. She did certainly form an exemplary counterpart to the pagan philosopher Hypatia of Alexandria in the medieval mindset, and it has been suggested that she was invented specifically for that purpose. Like Hypatia, she is said to have been highly learned (in philosophy and theology), very beautiful, sexually pure, and to have been brutally murdered for publicly stating her beliefs. Catherine is placed 105 years before Hypatia's death, although the first records mentioning her are much later.

Because of the fabulous character of the account of her martyrdom and the lack of reliable documentation, the Roman Catholic Church in 1969 removed her feast day from the General Roman Calendar. But she continued to be commemorated in the Roman Martyrology on November 25. In 2002, her feast was restored to the General Roman Calendar as an optional memorial.

The 1908 Catholic Encyclopedia describes the historical importance of the belief in her as follows :

- " Ranked with St Margaret and St Barbara as one of the fourteen most helpful saints in heaven, she was unceasingly praised by preachers and sung by poets. It is believed that Jacques-Benigne Bossuet dedicated to her one of his most beautiful panegyrics and that Adam of St. Victor wrote a magnificent poem in her honour: Vox Sonora nostri chori, etc. In many places her feast was celebrated with the utmost solemnity, servile work being suppressed and the devotions being attended by great numbers of people. In several dioceses of France it was observed as a Holy Day of Obligation up to the beginning of the seventeenth century, the splendour of its ceremonial eclipsing that of the feasts of some of the Apostles. Numberless chapels were placed under her patronage and her statue was found in nearly all churches, representing her according to medieval iconography with a wheel, her instrument of torture. Meanwhile, owing to several circumstances in his life, Saint Nicholas of Myra was considered the patron of young bachelors and students, and Saint Catherine became the patroness of young maidens and female students. Looked upon as the holiest and most illustrious of the virgins of Christ after the Blessed Virgin Mary, it was natural that she, of all others, should be worthy to watch over the virgins of the cloister and the young women of the world. The spiked wheel having become emblematic of the saint, wheelwrights and mechanics placed themselves under her patronage. Finally, as according to tradition, she not only remained a virgin by governing her passions and conquered her executioners by wearying their patience, but triumphed in science by closing the mouths of sophists, her intercession was implored by theologians, apologists, pulpit orators, and philosophers. Before studying, writing, or preaching, they besought her to illumine their minds, guide their pens, and impart eloquence to their words. This devotion to St. Catherine which assumed such vast proportions in Europe after the Crusades, received additional éclat in France in the beginning of the fifteenth century, when it was rumoured that she had spoken to Joan of Arc and, together with St. Margaret, had been divinely appointed Joan's adviser".

Devotion to Saint Catherine remains strong amongst Orthodox Christians. With the relative ease of travel in the modern age, pilgrimages to Saint Catherine's Monastery at Mount Sinai have increased. St Catherine is called upon for relief and assistance during childbirth. Pilgrims to her monastery on Mt Sinai are given a ring, which has been placed on the relics of the saint as an evlogia (blessing) in remembrance of their visit.

Media
* The opening scene of The Sopranos episode 38, "Amour Fou", features mob wife Carmela Soprano and her daughter Meadow Soprano in an art museum, where (among other topics) they discuss "Guiseppe de Ribera" 's painting: The Mystical Marriage of Saint Catherine of Alexandria.
* A movie project about Catherine, called Katherine of Alexandria, began production at Pinewood Studios in January 2010, starring Peter O'Toole. The project is directed by Michael Redwood, also known as Michael Kenwright. After the filming in early January 2010, filming was suspended, and some cast and crew members were not paid. The unions are seeking action on their behalf. It is doubtful that this fillm will ever be released

From Wikipedia
http://en.wikipedia.org/wiki/Catherine_of_Alexandria
Text is available under the terms of the GNU Free Documentation
http://en.wikipedia.org/wiki/Wikipedia:Text_of_the_GNU_Free_Documentation_License

In connection with La Religion and La Philosophie
Work(s)' related   
Art Institute of Chicago
Model
Saint Jean Baptiste et sainte Catherine d'Alexandrie
Painting
Paolo Veneziano
(near 1350)
Sainte Catherine
Painting
Jean Bellegambe
(near 1520)

Gemäldegalerie
Model
Autel des Rois Mages - Sainte Catherine et Sainte Agnès
Painting
Hans Baldung Grien
(from 1506 to 1507)
Vierge et l'Enfant sur un trône entourés de saint Nicolas de Bari, Catherine d'Alexandrie et un donateur
Painting
Gentile da Fabriano
(approx. from 1395 to 1400)
La décapitation de sainte Catherine d'Alexandrie
Painting
Piero di Giovanni
(near 1390)

J. Paul Getty Museum
Model
Saint Jacques le Majeur, la Vierge et l'Enfant entourés de saints
Painting
Antonio Vivarini
(1490)
Vierge et l'Enfant entourés d'un saint, de sainte Catherine d'Alexandrie et d'un donateur
Painting
Michelangelo di Pietro Mencherini
(near 1496)
Scènes de la vie de sainte Catherine d'Alexandrie
Painting
Gregorio d'Arezzo, Donato d'Arezzo
(near 1330)
Sainte Famille avec les saintes Anne, Catherine d'Alexandrie et Marie-Madeleine
Painting
Giovanni Francesco Bezzi
(approx. from 1560 to 1569)

Los Angeles County Museum of Art
Model
La mariage mystique de sainte Catherine d'Alexandrie
Painting
Bartolomé Esteban Murillo
(approx. from 1680 to 1682)

Louvre Museum
Model
L'Imposition de la chasuble à Saint Ildefonse
Painting
Maître de Saint Ildefonse
(approx. from 1475 to 1500)
Sainte Famille avec sainte Catherine, saint Sébastien et un donateur
Painting
Sebastino Luciani
(approx. from 1507 to 1508)
La Circoncision avec un donateur, Fra Jacopo Lampugnani, prieur de l'ordre des Umiliati
Painting
Bernardino Zenale
(near 1512)
L'Apparition de la Vierge à saint Luc et sainte Catherine
Painting
Annibal Carracci
(1592)
La Vierge et l'Enfant Jésus adorés par saint Jean-Baptiste, saint François d'Assise et sainte Catherine d'Alexandrie
Painting
Pieter De Witte
(approx. from 1573 to 1576)
Le mariage mystique de sainte Catherine d'Alexandrie avec saint Sébastien
Painting
Antonio Allegri
(approx. from 1526 to 1527)
Le mariage mystique de sainte Catherine
Painting
Girolamo Francesco Maria Mazzola
(near 1527)
La Vierge et l'Enfant entourés de deux anges, sainte Rose et sainte Catherine
Painting
Pietro di Cristoforo Vannucci
(near 1492)
La Vierge et l'Enfant entre saint Jean-Baptiste et sainte Catherine d'Alexandrie
Painting
Pietro di Cristoforo Vannucci
(near 1500)
Sainte Catherine d'Alexandrie
Stained glass
Valentin Bousch
(near 1515)
Sainte Catherine d'Alexandrie
Painted enamel
Jean II Penicaud
(approx. from XLth century to 1560)
Mariage mystique de sainte Catherine d'Alexandrie
Painting
Giuseppe Passeri
Le Christ de pitié entre saint Antoine abbé, sainte Lucie, la Vierge, saint Jean, sainte Catherine et un saint évêque
Painting
Gonçal Sarria
(approx. from 1425 to 1450)
Vierge à l'Enfant dans un paysage avec sainte Catherine d'Alexandrie et sainte Barbe
Painting
Ambrosius Benson
(approx. from 1530 to 1532)
La Vierge et l'Enfant entourés de saintes
Painting
Hans Memling
(near 1490)
Sainte Catherine et sainte Marguerite
Painting
Anonymous
(near 1525)
Sainte Catherine et sainte Barbe
Painting

(approx. from 1500 to 1550)

Metropolitan Museum of Art
Model
Sainte Catherine d'Alexandrie
Painting
Bernardo Cavallino
(near 1650)
Sainte Catherine discutant et deux donateurs
Painting
Cenni di Francesco di Ser Cenni
(near 1380)
Saint Catherine d'Alexandrie
Painting
Pietro Lorenzetti
(approx. from 1342 to 1345)
Sainte Catherine d'Alexandrie
Sculpture
Anonymous
(approx. from 1400 to 1410)
L'Adoration des bergers avec sainte Catherine d'Alexandrie
Painting
Ludovico Cardi
(1599)
Vierge et l'Enfant avec sainte Catherine d'Alexandrie
Painting
Peter Paul Rubens
Vierge et l'Enfant sur un trône entourés de saints
Painting
Paolo di Giovanni
(near 1390)
Sainte Catherine d'Alexandrie en prison
Painting
Paolo Cagliari
(approx. from 1578 to 1588)
La Vierge et l'Enfant entourés de sainte catherine d'Alexandrie et sainte Barbara
Painting
Hans Memling
(approx. from 1480 to 1483)
La Sainte Famille avec sainte Anne et sainte Catherine d'Alexandrie
Painting

(1648)

National Gallery
Model
La Madonna della Rondine
Painting
Carlo Crivelli
(near 1492)
Sainte Catherine d'Alexandrie
Painting
Carlo Crivelli
(from 1491 to 1494)
Le retable Demidoff
Painting
Carlo Crivelli
(1476)
Sainte Catherine d'Alexandrie
Painting
Raffaello Santi
Le mariage mystique de sainte Catherine d'Alexandrie
Painting
Girolamo Francesco Maria Mazzola
(approx. from 1527 to 1537)
La Vierge et l'Enfant entourés des saintes Barbara et Catherine
Painting
Quentin Metsys
(from 1515 to 1525)
La Vierge et l'Enfant avec des saints et un donateur
Painting
Gerard David
(near 1510)

National Gallery of Art - NGA
Model
Sainte Catherine d'Alexandrie
Painting
Ugolino Lorenzetti
(near 1335)

National Museum of Western Art (NMWA) - Tokyo
Model
Le mariage mystique de sainte Catherine
Painting
Paolo Cagliari
(near 1547)

Old Pinakothek of Munich
Model
La mise au tombeau de sainte Catherine d'Alexandrie sur la montagne du Sinaï
Painting
Francisco de Zurbarán
Le mariage de Sainte Catherine
Painting
Adriaen Isenbrandt

Royal Museum of Fine Arts of Belgium
Model
Le mariage mystique de sainte Catherine d'Alexandrie
Painting
Otto Vaenius
(1589)

The California Palace of the Legion of Honor
Model
Sainte Catherine d'Alexandrie
Painting
Frederick Pacher
(near 1460)
See all the works (54)
Place(s) related   

Catherine of Alexandria

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