Chassériau was born in Samaná, in Saint Domingue (now the Dominican Republic). His father was a Frenchman who held an administrative position in what was then a French colony, and his mother was the daughter of a Creole landowner. The family moved to Paris in 1821, where the young Chassériau soon showed precocious drawing skill. He was accepted into the studio of Jean-Auguste-Dominique Ingres in 1830, at the age of eleven, becoming the favorite pupil of the great classicist. Ingres quickly came to regard him as his truest disciple, declaring: "Come, gentlemen, come see, this child will be the Napoleon of painting."
After Ingres left Paris in 1834 to become director of the French Academy in Rome, Chassériau fell under the influence of Eugène Delacroix, whose brand of painterly colorism was anathema to Ingres. Chassériau's art has often been characterized as an attempt to reconcile the classicism of Ingres with the romanticism of Delacroix. He first exhibited at the Paris Salon in 1836, and was awarded a third-place medal in the the category of history painting. In 1840 Chassériau travelled to Rome and met with Ingres, whose bitterness at the direction his student's work was taking led to a decisive break.
Among the chief works of his early maturity are Susanna and the Elders and Venus Anadyomene (both 1839), Diana Surprised by Actaeon (1840), Andromeda Chained to the Rock by the Nereids (1840), and The Toilette of Esther (1841), all of which reveal a very personal ideal in depicting the female nude. Chassériau's major religious paintings from these years, Christ on the Mount of Olives (a subject he treated in 1840 and again in 1844) and The Descent from the Cross (1842), received mixed reviews from the critics; among the artist's champions was Théophile Gautier. Chassériau also carried out a commission for murals depicting the life of Saint Mary of Egypt in the Church of Saint-Merri in Paris; these were completed in 1843.
Portraits from this period include the Portrait of the Reverend Father Dominique Lacordaire, of the Order of the Predicant Friars (1840), and The Two Sisters (1843), which depicts Chassériau's sisters Adèle and Aline.
Throughout his life he was a prolific draftsman; his many portrait drawings executed with a finely pointed graphite pencil are close in style to those of Ingres. He also created a body of 29 prints, including a group of eighteen etchings of subjects from Shakespeare's "Othello" in 1844.
In 1846, shortly after painting the colossal Ali-Ben-Hamet, Caliph of Constantine and Chief of the Haractas, Followed by his Escort Chassériau made his first trip to Algeria. From sketches made on this and subsequent trips he painted such subjects as Arab Chiefs Visiting Their Vassals and Jewish Women on a Balcony (both 1849, now in the Louvre). A major late work, The Tepidarium (1853, in the Musée d'Orsay), depicts a large group of women drying themselves after bathing, in an architectural setting inspired by the artist's trip in 1840 to Pompeii. His most monumental work was his decoration of the grand staircase of the Cour des Comptes, commissioned by the state in 1844 and completed in 1848. This work was heavily damaged in May of 1871 by a fire set during the Commune, and only fragments could be recovered; these are preserved in the Louvre.
After a period of ill health, exacerbated by his exhausting work on commissions for murals to decorate the Churches of Saint-Roch and Saint-Philippe-du-Roule, Chassériau died at the age of 37 in Paris, on October 8, 1856.
His work had a significant impact on the style of Puvis de Chavannes and Gustave Moreau, and — through those artists' influence -reverberations in the work of Paul Gauguin and Henri Matisse.
From Wikipedia
http://en.wikipedia.org/wiki/Th%C3%A9odore_Chass%C3%A9riau
Text is available under the terms of the GNU Free Documentation License
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| Friend of Gustave Moreau and Karl-Heinrich Lehmann
Studied under Jean Auguste Dominique Ingres
In connection with Ferdinand Victor Eugène Delacroix and Hippolyte Delaroche (Paul Delaroche)
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