Life
Raised speaking French, among other languages, he emigrated to France and adopted the name Guillaume Apollinaire. His mother, born Angelica Kostrowicka, was a Polish noblewoman born near Navahrudak (now in Belarus). His father is unknown but may have been Francesco Flugi d'Aspermont, a Swiss-Italian aristocrat who disappeared early from Apollinaire's life.
Apollinaire was one of the most popular members of the artistic community of Montparnasse in Paris. His friends and collaborators during that period included Pablo Picasso, Max Jacob, André Salmon, Marie Laurencin, André Breton, André Derain, Faik Konica, Blaise Cendrars, Pierre Reverdy, Jean Cocteau, Erik Satie, Ossip Zadkine, Marc Chagall and Marcel Duchamp. In 1911, he joined the Puteaux Group, a branch of the cubist movement.
On September 7 of the same year, police arrested and jailed him on suspicion of stealing the Mona Lisa, but released him a week later. Apollonaire then implicated his friend Pablo Picasso, who was also brought in for questioning in the art theft, but both were later exonerated.
He fought in World War I and, in 1916, received a serious shrapnel wound to the temple (see photo). He wrote Les Mamelles de Tirésias while recovering from this wound. During this period he coined the word surrealism in the program notes for Jean Cocteau and Erik Satie's ballet Parade, first performed on 18 May 1917. He also published an artistic manifesto, L'Esprit nouveau et les poètes. Apollinaire's status as a literary critic is most famous and influential in his recognition of the Marquis de Sade, whose works were for a long time obscure, yet arising in popularity as an influence upon the Dada and Surrealist art movements going on in Montparnasse at the beginning of the twentieth century as, "The freest spirit that ever existed."
The war-weakened Apollinaire died of influenza during the Spanish Flu pandemic of 1918. He was interred in the Le Père Lachaise Cemetery, Paris.
Works
Apollinaire's first collection of poetry was L'enchanteur pourrissant (1909), but Alcools (1913) established his reputation. The poems, influenced in part by the Symbolists, juxtapose the old and the new, combining traditional poetic forms with modern imagery. In 1913, Apollinaire published the essay Les Peintres cubistes on the cubist painters, a movement which he helped to define. He also coined the term orphism to describe a tendency towards absolute abstraction in the paintings of Robert Delaunay and others.
In 1907, Apollinaire wrote the well-known erotic novel, The Eleven Thousand Rods (Les Onze Mille Verges). Officially banned in France until 1970, various printings of it circulated widely for many years. Apollinaire never publicly acknowledged authorship of the novel. Another erotic novel attributed to him was The Exploits of a Young Don Juan (Les exploits d'un jeune Don Juan), in which the 15-year-old hero fathers three children with various members of his entourage, including his aunt. The book was made into a movie in 1987.
Shortly after his death, Calligrammes, a collection of his concrete poetry (poetry in which typography and layout adds to the overall effect), was published.
Bibliography
- La Grâce et le Maintien Français, 1902 (with Molina da Silva)
- Les exploits d'un jeune Don Juan, 1907
- Les onze mille verges, 1907
- L'enchanteur pourrissant, 1909
- L'Hérésiarque et Cie, 1910
- Le Théâtre Italien, 1910
- Le bestiaire ou le cortège d'Orphée, 1911
- Alcools, 1913
- Les peintres cubistes, 1913
- La Fin de Babylone, 1914
- Case d'Armons, 1915
- Le poète assassiné, 1916
- Les Mamelles de Tirésias, 1917
- L'esprit nouveau et les poètes, 1918
- Calligrammes, 1918
- Le Flâneur des Deux Rives, 1918
- La femme assise, 1920
- Le guetteur mélancolique.
From Wikipedia
http://en.wikipedia.org/wiki/Guillaume_Apollinaire
Text is available under the terms of the GNU Free Documentation License
http://en.wikipedia.org/wiki/Wikipedia:Text_of_the_GNU_Free_Documentation_License
| Friend of Max Ernst, Francis-Marie Martinez de Picabia (Picabia), André Derain, Gertrude Stein, Henri-Julien-Félix Rousseau (Le Douanier Rousseau), Maurice de Vlaminck and Pablo Ruiz Blasco y Picasso (Picasso)
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