Købke combined an interest in light and atmosphere with an appreciation for Denmark's medieval monuments to create solemn architectural silhouettes. He also painted charming and intimate portraits of his family, friends, and fellow artists.
In 1838 Købke took his first trip abroad, visiting Dresden and Italy. Allying himself with the classical tradition of landscape painting inspired by Claude Lorrain, whom he greatly admired, he began altering small details to achieve sweeping, panoramic compositions. Upon his return home, his Italian scenes found little favor.
Despite his talent and the praise of various contemporaries, Købke was never inundated with commissions. When he applied for admission to the prestigious Academy of Art in Copenhagen in 1846, he was rejected. He died of pneumonia two years later, and the Danish public paid little notice. At the end of the 1800s, scholars and the public began to appreciate Købke, leading to his current reputation as the most internationally renowned Danish painter of his generation.
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