| | | Old Museum
Altes Museum
Berlin (Germany)
|  | Bodestraße 1-3 10178
Tél : + 49 30 20 90 55 77
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| | | Visite virtuelle |  | 31 sections et 145 éléments |
Horaires :
Ouvert tous les jours sauf monday
Nocturne tuesday
from 10:00am to 06:00pm (10:00pm on Thursday),
Transport :
- U-Bahn U6 (Friedrichstraße)
- S-Bahn S1, S2, S25 (Friedrichstraße)
- S-Bahn S5, S7, S75, S9 (Hackescher Markt)
- Tram M1, 12 (Am Kupfergraben)
- Tram M4, M5, M6 (Hackescher Markt)
- Bus TXL (Staatsoper)
- Bus 100, 200 (Lustgarten)
- Bus 147 (Friedrichstraße)
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| | Description | |
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Today, the Old National Gallery (Alte Nationalgalerie) is home to 19th century sculptures and paintings. It came into being in 1861, when the banker J.H.W. Wagener bequeathed his art collection to the king and a new building was erected to house it. Having suffered severe damage during the Second World War, the Old National Gallery was partially re-opened in 1949, and in 1955 all of its rooms were once more accessible to the public. Due to the Masterplan Museum Island, which enabled the gallery's comprehensive restoration from 1998, it re-opened in December 2001 as the first restored building on the Museum Island. Together with Altes Museum, the Bode Museum (re-opened in October 2006), Neues Museum (re-opening 2009) and the Pergamon Museum, it belongs to the ensemble of Berlin's Museum Island which was listed as UNESCO World Cultural Heritage in 1999 and ranks among the most splendid highlights of the Berlin museum landscape.
The collection
The Alte Nationalgalerie, home of 19th century art, forms one of the five columns of the National Gallery. The remaining four are the Neue Nationalgalerie (New National Gallery) with art of the 20th century, the Museum Berggruen with works of early 20th century modernism, the Hamburger Bahnhof - Museum für Gegenwart - Berlin with contemporary art, and Friedrichswerdersche Kirche (Friedrichswerder Church) with 19th century sculptures. The Alte Nationalgalerie is regarded as a comprehensive collection of art of the era between the French Revolution and the First World War, between Classicism and Secessions. The harmonious relationship between the museum building and its collection is unique: designed under the auspices of Heinrich Strack according to plans by August Stüler, the gallery was built in the years 1867 to 1876: the collection it houses today, one of the most beautiful of its kind, originates from the same century. Hence, a tour through the museum offers a profound insight into the art of the 19th century.
1st floor exhibition
Adolph Menzel's paintings, among them such important works as "The Balcony Room" and the "Iron Rolling Mill", reveal the artist as an unremitting observer who, picking up important subjects of Prussian history, simultaneously displays stupendous imagination and a fine sense of colouring.
Among the 19th century sculptures are such famous works as the two princesses by Johann Gottfried Schadow as well as works by Berthel Thorwaldsen, Antonio Canova, Ridolfo Schadow, Reinhold Begas, Adolf von Hildebrand and Constantin Meunier. Further sculptures of the Schinkel era are on display in Friedrichswerder Church.
2nd floor exhibition
The collection also contains rich holdings of high quality Impressionist painting. Masterpieces by Edouard Manet, Claude Monet, Auguste Renoir, Edgar Degas, Paul Cézanne and sculptures by Auguste Rodin were purchased at an early date.
Painting of the second half of the 19th century is abundantly represented with works by Hans Thoma, Anselm Feuerbach, Arnold Böcklin, Hans von Marées, Wilhelm Leibl and Wilhelm Trübner. Further, the Alte Nationalgalerie presents its large collection of paintings by Max Liebermann.
3rd floor exhibition
The art of the Goethe era is represented with landscapes by Jakob Philipp Hackert, portraits by Anton Graff and his contemporaries and works of the German artists working in Rome, known as the Nazarenes: Peter Cornelius, Friedrich Overbeck, Wilhelm Schadow and Philipp Veit. Their frescoes illustrating the story of Joseph, commissioned for the Casa Bartholdy in Rome, constitute a major achievement of the period.
Two rooms on the top floor of the Alte Nationalgalerie offer space for the jewels of Romanticism. Paintings by Caspar David Friedrich from all phases of his artistic career illustrate the development of the great master of German Romantic art. Karl Friedrich Schinkel's programmatic architectural visions are evidence of the architect's ingeniousness as a landscape painter. Another focus is formed by the works of Carl Blechen, whose vibrant colours and unconventional motifs are ahead of their time. Moreover, on display are portraits by Philipp Otto Runge and Gottlieb Schick, as well as landscapes by Joseph Anton Koch and Carl Rottmann. Biedermeier art is represented with Berlin views by Eduard Gaertner and Johann Erdmann Hummel, as well as with landscapes, genre paintings and portraits by Carl Spitzweg, Ferdinand Georg Waldmüller and others. | | Histoire | |
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The Nationalgalerie (National Gallery) was founded in 1861 on the basis of a generous donation made by the banker, Joachim H. W. Wagener. His collection embraced 262 works by German and international artists. At first, the newly founded gallery, still named "Wagenersche und Nationalgalerie", occupied rooms in the Academy of Art at Unter den Linden. In 1876, the collection moved to new premises on the Museum Island. The building it was housed in, today known as the Alte Nationalgalerie (Old National Gallery), had been erected between 1866 and 1876 by Heinrich Strack after designs by August Stüler. Like no other museum, this building has remained loyal to its original purpose: a museum of the 19th century for the art of the 19th century.
The profile of the collection was decisively shaped by the great foresight of the museum's directors: in particular by Hugo von Tschudi and Ludwig Justi. Tschudi risked provoking the Kaiser's anger when he insisted on purchasing art by the French Impressionists. Justi, his successor, continued this progressive policy by acquiring major Expressionist works, which today are on view in the Neue Nationalgalerie (New National Gallery) at Kulturforum Potsdamer Platz..
Parts of the Alte Nationalgalerie were badly damaged during the Second World War. Up to the current day it has still not quite been established which art works were destroyed during that period and which made their way to Russia under the circumstances of war. After the war, the Alte Nationalgalerie was restored and partially reopened in 1949. By 1955 all the exhibition halls were once more open to the public, showing both contemporary works and the collection of 19th century art. As a result of the political division of Germany, the National Gallery was divided up, too: important masterpieces remained in West-Berlin. The 19th century collection was first shown in the Orangery at Schloss Charlottenburg, then, from 1986, at the Gallery of Romanticism, also in Schloss Charlottenburg, until finally, with the reunification of the National Gallery's collection in the early 1990s, the works returned to their ancestral place on Museum Island. As the first on the island, the museum was closed from 1998 until 2001 for complete restoration.
Since reunification, the works of the 19th century have been on view in the Alte Nationalgalerie on the Museum Island. The Neue Nationalgalerie at Kulturforum Potsdamer Platz presents art of the 20th century, the Hamburger Bahnhof - Museum für Gegenwart - Berlin shows contemporary art and the Museum Berggruen in the Western Stülerbau in Charlottenburg houses early 20th century art from the Heinz Berggruen collection. Friedrichswerdersche Kirche (Friedrichswerder Church) presents sculptures of 19th century Berlin Classicism. | | Plus de photos | |
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