Date : approx. between 1622 and 1625
Dimensions : 7,02 m x 3,94 m
Material : Oil on canvas
Acquisition : Sénat (1815)
Ecole flamande - Période Baroque
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Flemish and Northern Painting
Painting (Tableau mythologique)
Areas related
France
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This painting commemorates Marie taking over the government as new regent, and promoting long-term plans for peace in Europe by way of marriages between royal houses.
Cupid and Juno bind two doves together over a split sphere in the painting as a symbol of peace and love. Marie hoped for her son, Louis XIII, to marry the Spanish Infanata Anne and for her daughter Elizabeth to marry the future king of Spain, Philip IV, possibly resulting in an alliance between France and Spain. To Marie de' Medici these unions were probably the most significant part of her reign, for peace in Europe was Marie's greatest goal.
The Council of the Gods is one of the least understood paintings of Marie de' Medici cycle. It represents the conduct of the Queen and the great care with which she oversees her Kingdom during her Regency. For example, how she overcomes the rebellions and the disorders of the State. It also suggests that she perpetuated the policies and ideals of the late King in his life and in death. The painting subjects are placed in a celestial setting which doesn't give way to a particular place, time or event. The scene is painted with a variety of mythological figures. This, along with its setting makes it difficult to figure out the subject matter of the work. The mythological figures include Apollo and Pallas, who combat and overcome vices such as Discord, Hate, Fury, and Envy on the ground and Neptune, Pluto, Saturn, Hermes, Pan, Flora, Hebe, Pomono, Venus, Mars, Zeus, Hera, Cupid, and Diana above.
Though originally intended to be displayed on the East Wall of the gallery in Marie's Luxembourg Palace in Paris, "The Council of the Gods" is now housed at the Louvre. The mythological figures and celestial setting act as allegories for Marie's peaceful rule over France.
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