Date : approx. between 1622 and 1625
Dimensions : 2,95 m x 3,94 m
Material : Oil on canvas
Acquisition : Sénat (1815)
Ecole flamande - Période Baroque
| Henri IV part pour la guerre d'Allemagne et confie à la reine le gouvernement de son royaume
Item 9 on 24
Flemish and Northern Painting
Painting (Tableau historique)
Area related
Germany
Site related :
| 
 |  | |
| Description |  |
|
Throughout the depictions of Marie de' Medici's life, Rubens had to be careful not to offend either Marie or the king, Louis XIII, when portraying controversial events. Marie commissioned paintings that truthfully followed the events of her life, and it was the job of Rubens to tactfully convey these images. More than once, the artistic license of the painter was curbed in order to portray Marie in the right light. In The Consignment of the Regency, Henri IV entrusts Marie with both the regency of France and the care of the dauphin shortly before his war campaigns and eventual death. Set within a grand Italian-style architectural setting, the theme is somewhat sobering. Prudence, the figure to the right of Marie, was stripped of her emblematic snake to lessen the chances any viewer would be reminded of Marie's rumored involvement in the King's assassination. The efficacy of the form is lost in order to ensure Marie's representation in a positive light. Other changes include the removal of the Three Fates, originally positioned behind the king calling him to his destiny, war, and death. Rubens was forced to remove these mythical figures and replace them with three generic soldiers.
Also worthy of note in this painting is the first appearance the orb as a symbol of the "all-embracing rule or power of the state". This particular image appears to carry significant weight in Rubens's iconographic program for the cycle, as it appears in six (one quarter) of the twenty-four paintings of the cycle. This orb functions both as an allusion to the Roman orbis terrarum (sphere of earth) which signifies the domain and power of the Roman emperor, and as a subtle assertion of the claim of the French monarchy upon the imperial crown. While Rubens was certainly aware of the inherent meaning of the orb and employed it to great effect, it appears that Marie and her counselors instigated its introduction into the cycle to add allegorical and political grandeur to the events surrounding Marie's regency.
| Item(s) related | |
Louvre Museum :
Marie de' Medici cycle
| The Council of the Gods
Tableau mythologique
Ecole flamande - Période Baroque
Petrus Paulus Rubens
Sizes : 3,94 m x 7,02 m
circa from 1622 to 1625
|
 | Louis XIII Comes of Age
Tableau historique
Ecole flamande - Période Baroque
Petrus Paulus Rubens
Sizes : 3,94 m x 2,95 m
circa from 1622 to 1625
|
 | The Negotiations at Angoulême
Tableau historique
Ecole flamande - Période Baroque
Petrus Paulus Rubens
Sizes : 3,94 m x 2,95 m
circa from 1622 to 1625
|
 | The Queen Opts for Security
Tableau historique
Ecole flamande - Période Baroque
Petrus Paulus Rubens
Sizes : 3,94 m x 2,95 m
circa from 1622 to 1625
|
 | The Triumph of Truth
Tableau historique
Ecole flamande - Période Baroque
Petrus Paulus Rubens
Sizes : 3,94 m x 1,60 m
circa from 1622 to 1625
|
Rubens et la peinture flamande du XVIIème siècle - I
| Related article(s) | |
|
