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French
  Worldvisitguide > Places > Norton Simon Museum... > Painting > Cézanne - Degas - van... > Mulberry Tree
Mulberry Tree
Mulberry Tree

Date : 1889

Dimensions : 54 cm x 65 cm
Material : Oil on canvas
Acquisition : Gift of Mr. Norton Simon (1976)
Item 25 on 29
Painting
Painting (Landscape)

Area related
Saint-Rémy-de-Provence (France)



Description   

In the spring of 1889, van Gogh committed himself to the hospital at Saint-Remy in an effort to recover from the debilitating emotional and physical illnesses which had devastated him in Arles. During calm, lucid periods he was constantly working at his easel. In October of 1889, the artist painted The Mulberry Tree. In a letter to his sister, he wrote, "As for the mulberry trees...I painted one, when its dense foliage was a magnificent yellow color against a very blue sky, on a white stony field with the sunshine from behind".

Van Gogh reveled in the textural richness of oil paint. Called impasto, his application of the paint is so heavy in The Mulberry Tree that it appears nearly three-dimensional. We cannot discern individual autumn leaves, for the tree limbs are like twisting yellow tentacles. The fiery branches reach upward and are framed by a brilliant blue sky created from thick, short strokes of blue paint.

The space surrounding the tree is rendered with a dynamism that echoes the tree's electric energy. Short, thick brush strokes of lighter yellow, with intermittent strokes of green, light brown, and white constitute the rocky field described in van Gogh's letter. There is no human presence here, but the box which leans against the brown tree trunk suggests that the land has been or will be worked and harvested.

In this work, an ordinary tree is painted in an extraordinary way. While it attests to van Gogh's keen observation of the tree and its natural surroundings, this painting is no mere record of sheer visual observation. Rather, van Gogh's vibrant color and vigorous brush strokes express his passionate feelings about what he saw. This painting was so important to van Gogh that he wrote about it three times in letters to his brother and sister, commenting that he believed it was the best of his mulberry tree paintings.

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