Date : 1889
Dimensions : 54 cm x 65 cm Material : Oil on canvas Acquisition : Gift of Mr. Norton Simon (1976)
| Item 25 on 29 Painting Painting (Landscape)
Area related Saint-Rémy-de-Provence (France)
| 
 |  | |
 | Description |  |
 |
In the spring of 1889, van Gogh committed himself to the hospital at Saint-Remy in an effort to recover from the debilitating emotional and physical illnesses which had devastated him in Arles. During calm, lucid periods he was constantly working at his easel. In October of 1889, the artist painted The Mulberry Tree. In a letter to his sister, he wrote, "As for the mulberry trees...I painted one, when its dense foliage was a magnificent yellow color against a very blue sky, on a white stony field with the sunshine from behind".
Van Gogh reveled in the textural richness of oil paint. Called impasto, his application of the paint is so heavy in The Mulberry Tree that it appears nearly three-dimensional. We cannot discern individual autumn leaves, for the tree limbs are like twisting yellow tentacles. The fiery branches reach upward and are framed by a brilliant blue sky created from thick, short strokes of blue paint.
The space surrounding the tree is rendered with a dynamism that echoes the tree's electric energy. Short, thick brush strokes of lighter yellow, with intermittent strokes of green, light brown, and white constitute the rocky field described in van Gogh's letter. There is no human presence here, but the box which leans against the brown tree trunk suggests that the land has been or will be worked and harvested.
In this work, an ordinary tree is painted in an extraordinary way. While it attests to van Gogh's keen observation of the tree and its natural surroundings, this painting is no mere record of sheer visual observation. Rather, van Gogh's vibrant color and vigorous brush strokes express his passionate feelings about what he saw. This painting was so important to van Gogh that he wrote about it three times in letters to his brother and sister, commenting that he believed it was the best of his mulberry tree paintings.
| More pictures |  |
| Item(s) related |  |
 |
Art Institute of Chicago : Cézanne - van Gogh - Seurat
Kunstmuseum of Winterthur : Delaunay, Van Gogh, Marquet, Léger, Vallotton, Rodin Monet, Sisley, van Gogh
Metropolitan Museum of Art : Van Gogh - Gauguin
 | Cypresses Paysage Post-Impressionnistes Vincent van Gogh 1889
| Van Gogh - Gauguin
National Gallery of Art - NGA : Van Gogh et Gauguin
 | The Olive Orchard Paysage Post-Impressionnistes Vincent van Gogh Sizes : 73 cm x 92 cm 1889
|
New Pinacothek of Munich : Vincent van Gogh, Paul Gauguin and Paul Serusier
Norton Simon Museum of Art : Cézanne - Degas - van Gogh
Orsay Museum : Collection Kaganovitch Van Gogh
 | La Guinguette Paysage Post-Impressionnistes Vincent van Gogh Sizes : 50 cm x 65 cm 1886
|
Oskar Reinhart "Am Römerholz" Museum : Van Gogh, Cézanne, Picasso
Rodin Museum : Portraits masculins - Van Gogh - Renoir - Monet
The Museum of Modern Art of New York : Van Gogh - Matisse - Derain - Gauguin - Rousseau
Van Gogh Museum : Arles (February 1888 - May 1889) Auvers-sur-Oise (May-July 1890)
 | Tree Roots Paysage Post-Impressionnistes Vincent van Gogh Sizes : 50 cm x 100 cm 1890
| Cercle des amis de van Gogh III Netherlands (1883-1886)
 | The Cottage Paysage Post-Impressionnistes Vincent van Gogh Sizes : 66 cm x 79 cm 1885
| Saint-Rémy (May 1889 - May 1890)
 | Undergrowth Paysage Post-Impressionnistes Vincent van Gogh Sizes : 73 cm x 92 cm 1889
|
| Related article(s) |  |
Les faux Van Gogh La vente record (40 millions de dollars au magnat japonais de l'assurance Yasuo Goto) d'un bouquet de tournesols de Vincent Van Gogh, par Christie's le 30 mars 1987, sera à l'origine d'un scandale majeur.
|