Date : between 1742 and 1745
Material : Oil on canvas
Acquisition : Bequest of James Deering (1925)
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European Painting
Painting (Thème mythologique)
Area related
Italy
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Tiepolo's Tasso Cycle
Giovanni Battista Tiepolo (1699 - 1770) was the most important and imaginative Venetian painter of the eighteenth century. Among Tiepolo's most lyrical works is this series of four paintings illustrating Torquato Tasso's (1544 - 1595) celebrated poem "Jerusalem delivered (Gerusalemme liberata)", first published in 1581.
In these paintings Tiepolo attempted to create a style that is a visual equivalent of Tasso's exalted poetry. In a fanciful account of the first crusade of 1099 and the subsequent capture of Jerusalem, Tasso described the Christian knight Rinaldo and the enchanting sorceress Armida. In his depiction of Rinaldo's struggle to overcome the charms of Armida and fulfill his mission to save the Holy Land, Tiepolo emphasized the conflict between love and duty.
A recently discovered inventory suggests that the Rinaldo and Armida series was originally displayed in a Venetian palace owned by the eminent Cornaro (Corner) family. Apparently, these four pictures, together with at least three oval paintings (now in the Galleria nazionale d'Arte Antica in Rome and the Norton Simon Art Foundation in Pasadena) and perhaps four narrow, vertical canvases (now in the National Gallery in London) once adorned a chamber in the Cornaro palace known as the "gabinetto degli specchi", or "the small room of mirrors". This location would partly account for the prominence of mirrors and mirrored surfaces in Tiepolo's paintings.
Rinaldo and Armida in her Garden
Rinaldo is discovered by his companions, Carlo and Ubaldo, completely under Armida's spell in her magical garden :
Down by the lover's side there pendant was
A crystal mirror, bright, pure, smooth, and neat;
Beauty and love beheld both in one seat;
She in the glass, he saw them in her eyes.
(Torquato Tasso, Jerusalem Delivered, XVI, 20)
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