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  Worldvisitguide > Places > Art Institute of Chicago > European Painting > Italy 1500s > The Death of St. Peter...
The Death of St. Peter Martyr
The Death of St. Peter Martyr

Date : between 1530 and 1535

Material : Oil on canvas
Acquisition : Lady Armour Endowment (2001)
Art Institute of Chicago
Italy 1500s
First Level - Section 211
Item 9 on 16
European Painting
Painting (Thème religieux)

Area related
Italy



Description   

In recent years, Savoldo has come to be recognized as a major master of the Italian Renaissance. Born, and probably trained, in Brescia, he was exposed both to the literal realism of local Lombard painting and to the most progressive artistic trends in nearby Venice. Through Flemish contacts, Savoldo also became acquainted with the subtle effects of light achieved in Netherlandish pictures, particularly in nocturnal scenes. Drawing on these various sources, he created a darkly poetic style, admired for its portrayal of reflective psychological states and evocative landscapes, and for its tour - de - force renderings of luminous garments.

The painting depicts the murder of St. Peter Martyr, a thirteenth - century Dominican friar who devoted himself to reconverting to Catholicism the Cathar heretics in the Veneto - Lombard region of Italy. Enraged by his activities, a group of Cathars ambushed him on the road between Como and Milan. The Cathar's vibrant red jacket conveys the passion and anger of his act, otherwise veiled by his curiously introspective countenance. St. Peter's vulnerability and resignation are eloquently communicated by his open left hand, isolated at the very center of the composition. The ominous, twilit sky behind his head fittingly complements the narrative.

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Metropolitan Museum of Art :
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Thème religieux
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circa from 1300 to 1325

National Gallery :
Carlo Crivelli
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Thème religieux
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around 1476

National Museum of Western Art (NMWA) - Tokyo :
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The Liberation of Saint Peter
Thème religieux

Notre-Dame de Paris :
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Saint Peter's Basilica :
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