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Peter Paul Rubens
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Peter Paul Rubens
Section 3 on 3

National Gallery
Flemish and Northern Painting

Relationship with : Peter Paul Rubens
Area related : Flandres

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Painting in Flanders was dominated during this period by Peter Rubens who, having spent eight years in Italy, returned to Antwerp in the winter of 1608. There, he demonstrated a mastery of both the styles learned in Italy and local Flemish painting traditions.

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His consequent success won him the position of court painter to the rulers of Spanish Netherlands, and became an international celebrity.

Rubens progressed from a Caravaggio-inspired use of strong darks and lights to a Venetian coloristic style of more broadly painted, blurring brushwork. He encountered 16th-century Venetian paintings belonging to Spanish collectors during a trip to Spain in 1628. His knowledge of ancient art and literature informed his learned, though sometimes humorous recreations of classical mythology and history.

Rubens made vigorous oil sketches when inventing his compositions. This was also the approach favored by his one-time pupil Anthony van Dyck, who went on to make his master's style still more popular and successful.
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Jacob Jordaens (1593-1678)
The Holy Family and Saint John the Baptist
Thème religieux
Sizes : 93 cm x 123 cm
approx. from 1620 to 1625

Petrus Paulus Rubens (1577-1640)
Samson and Delilah
Thème biblique
Sizes : 2.05 m x 1.85 m
approx. from 1609 to 1610
The Beaheading of Daint John the Baptist
Thème religieux
approx. from 1608 to 1609
Peasants with Cattle by a Stream in a Woody Landscape
The Watering Place
Landscape
Sizes : 134 cm x 99 cm
approx. from 1615 to 1622
Apotheosis of King James I
Sketch for the ceiling of the Banqueting House, Whitehall
Allégorie
from 1629 to 1630
The Massacre of the Innocents
Thème religieux
Sizes : 1.42 m wide
approx. from 1611 to 1612
The Adoration of the Kings
Thème religieux
from 1610 to 1612
Minerva and Mercury conduct the Duke of Buckingham to the Temple of Virtue
An Allegory with the Duke of Buckingham
Allegory
Sizes : 64 cm x 64 cm
near 1624
The Judgement of Paris
Judgement of the Goddesses
Thème mythologique
Sizes : 1.94 m x 1.45 m
approx. from 1632 to 1635
A Roman Triumph
Thème historique
Sizes : 164 cm x 87 cm
near 1630
A Shepherd with his Flock in a Woody Landscape
Paysage
Sizes : 94 cm x 64 cm
approx. from 1615 to 1622
Portrait of Thomas Howard, 2nd Earl of Arundel (1585-1646)
Portrait
Sizes : 54 cm x 67 cm
from 1629 to 1630
Saint Bavo about to receive the Monastic Habit at Ghent
Thème religieux
Sizes : 108 cm x 41 cm
approx. from 1616 to 1623
The Judgement of Paris
Judgement of the Goddesses
Thème mythologique
Sizes : 1.74 m x 1.34 m
approx. from 1600 to 0
Portrait of Ludovicus Nonnius (1553 - 1645)
Portrait
Sizes : 92 cm x 124 cm
near 1627
An Autumn Landscape with a View of Het Steen in the Early Morning
Paysage
Sizes : 2.29 m x 1.31 m
near 1636
Portrait of Susanna Lunden (?)
"Le Chapeau de Paille"
Portrait
Sizes : 55 cm x 79 cm
approx. from 1622 to 1625
A Lion Hunt
Scène extérieure
Sizes : 106 cm x 74 cm
approx. from 1616 to 1617
A Wagon fording a Stream
Scène extérieure
Sizes : 70 cm x 47 cm
approx. from 1625 to 1640

Antoine van Dyck (Antoon van Dyck) (1599-1641)
Charity
Allégorie
Sizes : 1.08 m x 1.48 m
approx. from 1627 to 1628
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National Gallery
Peter Paul Rubens (22)